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This quiet confidence is also a key part of one of the film's many underlying messages, namely a study in resourcefulness and where it gets us, particularly in Catherine Zeta-Jones' character, a trophy wife of a drug trafficker who is under arrest.
Resourceful as she is, it takes her down the darkest and lowest moral alleyways, and this can be compared to 'Erin Brockovich', where another stressed woman used a different kind of soul and fighting spirit to get results.
This time the daddy is the newly-instated drugs officer Michael Douglas fighting drugs on two fronts: the Mexican Border and his own home, as he struggles to keep his adolescent daughter on the straight and narrow.
The characters are all strong and well acted, I can't put my finger on a single bad performance, but Benicio Del Toro is by far the best on show and his Oscar was well deserved.
Michael Douglas proves again that he's a class act, as does Catherine Zeta-Jones and strength in depth is clear all round. All in all, then, a great film, combining good acting, clever psychological undertones and classy direction, which particularly stands out.
Combining an ability to keep us interested with the snappy, modern style which he has brought to the movies today - this film is a gripping account and a very comprehensive display of Soderbergh's impressive arsenal of film knowledge, understanding and talent.
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Parents Guide. External Sites. User Reviews. User Ratings. External Reviews. Metacritic Reviews. Photo Gallery. The last 6 numbers identify the individual vessel.
It makes it easy to get in contact with every other ship owner to prevent collisions. But why do ships use another radar system as airplanes or other means of transportation?
The marine traffic is a complete different system as the normal radar system. The AIS system is able to display all the data very detailed.
Just watch the Marine Traffic map and zoom out, then you can see all ships which are currently traveling. All different ships or vessels on the marine traffic map have different icons and colors.
Each icon and color has a different meaning. The arrow means that the ship is currently driving. The arrow also points to the direction the ship is going.
The round point means that the vessel is currently not moving or has anchored. Cargo Vessels. Passenger Vessels. High Speed Craft. Pleasure Craft.
By this time, Robert has learned that General Salazar has been arrested and has in fact been working against the anti-drug campaign.
Then after finding that Caroline has stolen jewelry and money, Robert sets out desperately to find her himself. He drags Seth out of school and the two head for the drug dealer's location.
Upon arrival, the dealer angrily refuses to give any information on Caroline and orders the two to leave at gunpoint. Later, Robert follows Seth to a seedy hotel the two had used before, and finds a semi-conscious Caroline about to be prostituted to an older man.
Finding her alive, Robert breaks down in tears as Seth quietly leaves. Upon returning to Washington, D. But when he cites drug addicts as the "enemy," he falters upon realizing the tragedy of his own situation.
He states that the War on Drugs implies a war even on some people's own family members, which he can no longer endorse, and walks out of the press conference to return to his family.
Robert and Barbara go to a Narcotics Anonymous meeting with their daughter, where she remarks on the progress she's made.
Robert responds with support for his daughter, and their full intention to "listen" moving forward.
This leads to the arrest of Eduardo Ruiz Ferrer , a high-stakes dealer posing as storage-locker business owner.
Ayala is indicted by a prosecutor chosen by Robert Wakefield, intending to send a message to the Mexican drug cartels.
As the trial against Ayala begins, his pregnant wife Helena Zeta-Jones learns of her husband's true profession from his associate, Arnie Metzger Quaid.
Facing the prospect of life imprisonment for her husband and death threats against her child, Helena decides to step into Carl's underworld and looks into some of his contacts.
She then hires Francisco Flores to assassinate Eduardo Ruiz; knowing that killing Ruiz will effectively end the trial nolle prosequi.
Flores plants a car bomb on a DEA car in an assassination, but Ruiz tells the agents he wants to walk to the hotel instead of taking the car; Helena orders Flores to shoot Ruiz on the sidewalk.
As he goes to pull the trigger, Flores is shot by a cartel sniper for his cooperation with Javier and General Salazar, while the DEA guns him down in the confusion.
Amidst the chaos Agent Castro runs to retrieve the car and is killed instantly, but leaving Gordon and Ruiz unharmed. Ruiz dies in agony with Gordon helpless, effectively ending the trial and setting Ayala free.
During a phone conversation between Ayala and Metzger, Ayala deduces that it was Metzger who originally informed on Ruiz.
As Ayala hangs up the phone, Metzger looks up to see two hitmen entering his office. Suddenly, Gordon bursts into the Ayala home during his homecoming celebration.
Bodyguards wrestle him to the ground, but Gordon is able to surreptitiously plant a listening bug under Ayala's desk.
Gordon is forced from the property, smiling to himself, knowing that there is now a new opportunity to trap Ayala and Helena. At one point in the film, an El Paso Intelligence Center agent tells Robert his position, official in charge of drug control, doesn't exist in Mexico.
As noted in the original script, a Director of the Instituto Nacional para el Combate a las Drogas was created by the Attorney General of Mexico in Steven Soderbergh had been interested in making a film about the drug wars for some time but did not want to make one about addicts.
Soderbergh, who had seen the mini-series in ,  started looking for a screenwriter to adapt it into a film.
They read a script by Stephen Gaghan called Havoc , about upper-class white kids in Palisades High School doing drugs and getting involved with gangs.
Bickford and Soderbergh approached Zwick, who agreed to merge the two projects and come aboard as a producer. Traffic was originally going to be distributed by 20th Century Fox , but it was put into turnaround unless actor Harrison Ford agreed to star.
Soderbergh began shopping the film to other studios, but when Ford suddenly showed interest in Traffic , Fox's interest in the film was renewed, and the studio took it out of turnaround.
It went back into turnaround. They all turned him down because they were not confident in the prospects of a three-hour film about drugs, according to Gaghan.
Soderbergh had "conceptual discussions" with Gaghan while he was shooting The Limey in October , and they finished the outline before he went off to shoot Erin Brockovich.
Gaghan agreed to rework the role, adding several scenes that ended up in the finished film. On February 20, Ford turned down the role, and the filmmakers brought it back to Michael Douglas , who had turned down an earlier draft.
He liked the changes made and agreed to star, which helped greenlight the project. The filmmakers sent out letters to many politicians, both Democrat and Republican , asking them to make cameo appearances in the film.
Several of the scenes had already been shot using actors in these roles, but the filmmakers went back and re-shot those scenes when real politicians agreed to be in the film.
Senators Harry Reid , Barbara Boxer , Orrin Hatch , Charles Grassley , and Don Nickles , and Massachusetts governor Bill Weld , were filmed in a scene that was entirely improvised.
The project was obtained from Fox by Initial Entertainment Group, and was sold to USA Films by IEG for North American rights only.
Steven Soderbergh never approached USA Films, and the film was fully funded by Initial Entertainment Group.
After Fox dropped the film in early and before USA Films expressed interest soon after, Soderbergh paid for pre-production with his own money.
Once the studio realized this, they suggested that his scenes be shot in both English and Spanish, but Soderbergh and del Toro rejected the suggestion.
Del Toro remembers, "Can you imagine? You do the whole movie, bust your butt to get it as realistic as possible, and someone dubs your voice?
I said, 'No way. Over my dead body. It's not gonna happen. The filmmakers went to the Drug Enforcement Administration DEA and U.
Customs early on with the script and told them that they were trying to present as detailed and accurate a picture of the current drug war as possible.
In addition, they gave the production team access to the border checkpoint to Mexico, as shown in the film during the scene in which Wakefield and his people talk with border officials.
Despite the assistance, the DEA did not try to influence the content of the script. He also spent time analyzing The Battle of Algiers and Z , which, according to the director, had the feeling that the footage was "caught" and not staged.
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