Tennis: Katharina Hering Live Ergebnisse, Ergebnisse, Auslosungen, Matchzusammenfassungen mit mit Match History Punt für Punkt, Wettvergleichen und. News - Romy Kölzer. wo ich wieder durch die Quali kämpfen musste. Mit Siegen über Katharina Hering und Cheong Naomi bin ich dann ins. Katharina Hering (Deutschland) - Platz - alle Spielstatistiken, Weltranglisten-Platzierung und persönlichen Informationen aus dem Jahr - Tennis - kicker.
Titelpremiere für Katharina HeringStatistiken werden nach Ende des Spiels aktualisiert. Katharina Hering vorheriges Spiel war gegen Niemeier J. in German Indoor Championship, Women. Tennis: Katharina Hering Live Ergebnisse, Ergebnisse, Auslosungen, Matchzusammenfassungen mit mit Match History Punt für Punkt, Wettvergleichen und. Katharina Hering (* Februar ) ist eine deutsche Tennisspielerin. Inhaltsverzeichnis. 1 Karriere; 2 Turniersiege. Doppel. 3 Weblinks.
Katharina Hering TENNIS LIVE TOURNAMENTS VideoAmericana 2016: Archival Activism and Social Justice
Aug 22, Aug 15, Aug 8, Aug 1, Jul 25, Jul 18, Jul 11, Jun 27, Jun 20, Jun 13, Jun 6, May 23, May 16, May 9, May 2, Apr 25, Apr 18, Apr 11, Apr 4, Mar 21, Mar 7, Feb 29, Feb 22, Feb 15, Feb 8, Feb 1, Jan 18, Jan 11, Oct 5, Aug 24, Aug 3, Jul 27, Jul 20, Jul 13, Jun 29, Jun 22, Jun 15, Jun 8, May 25, May 18, May 11, May 4, Apr 27, Apr 20, Apr 13, Apr 6, Mar 23, Feb 23, Feb 16, Feb 9, Feb 2, Jan 19, Jan 12, Jan 5, Dec 29, Dec 22, Dec 15, Dec 8, Dec 1, Nov 24, Jun 23, Jun 16, Jun 9, May 26, May 19, May 12, May 5, Apr 28, Apr 21, Apr 14, Apr 7, Mar 31, Jul 29, Jul 22, Jul 15, In a fascinating recent blog post, David B.
Morris, the German Area Specialist, European Division, at the Library of Congress, discusses the art of Unlocking the Secrets of German Handwritten Documents.
The conference aimed to critically reflect on the radical impact of the digital turn on all stages of historical research, including archiving, research, analysis, interpretation and dissemination on a transatlantic level.
Riegel also created Design is fine. History is mine, a popular blog on design and art history. The beautifully designed bauhaus bookshelf, a labor of love launched in , combines access for personal use to reproductions of original Bauhaus publications with a timeline, excerpts, photographs, and other contextual information.
Libraries, archives, and museums have made most of the reproductions that are gathered on the bookshelf available under Creative Commons Attribution Licenses, and users are advised to download materials from the site for personal use only.
While many events and publications in celebrate the Bauhaus centennial, the bauhaus bookshelf is the only comprehensive online gateway to original Bauhaus publications and sources.
What inspired you to develop the bilingual bauhaus bookshelf? Some time ago, I began teaching design history as a lecturer alongside my regular career.
I had worked for various design companies during my career in communications consulting. However, studying and teaching design history was a new field for me, even though it had been a long-standing passion of mine.
As an initial step, I began creating an image database for my students, and decided on using tumblr as an English-language platform in order to reach a larger, international audience.
After more than five years and 15, posts, the blog Design is fine. History is Mine. The Bauhaus as a German institution has always been close to my heart; it fascinated me even as a child.
That was my first encounter with the Bauhaus and it left a lasting impression, thanks to good art teachers. Last year, I began collecting my Bauhaus discoveries on my own website; first there were a few books and interesting publications, then it became more and more of a mission: a collection of sources that can be downloaded free of charge.
Bauhaus knowledge for everyone. The anniversary was an additional incentive to launch the project in a timely manner.
How did you proceed with your research? Which publications and sources were you looking for? Did you research only online or also in analog collections?
The original sources from the Bauhaus period formed the basis for the site, complemented by publications by Bauhaus members or affiliates, or other contemporary witnesses.
Initially, I relied on online research, as availability on the Internet was a mandatory prerequisite. Once the framework was set and my passion could dive into details, I was able to fall back on my own small Bauhaus library.
The catalogue of the Stuttgart exhibition , for example, was an excellent source, and since I also own a copy of the English-language edition, this proved to be of great help in translating the typical Bauhaus terms.
Which discoveries did you particularly enjoy, or which ones particularly surprised you? A highlight was the first catalogue book on the exhibition in Weimar , whose title page and contents I had seen frequently.
Under the umbrella of the SLUB Dresden, I finally found what I was looking for: browsing through and studying the entire work at my own pace for the first time, and the whole thing available in rather good quality, was a wonderful moment — many thanks to Dresden!
I am also happy to note that my work resulted in the online publication of the original English-language version of a lecture held by Ise Gropius at Harvard in One of the focal points of the centennial is on highlighting the history of the women associated with the Bauhaus.
What challenges did you notice in the course of your research? Of course, the theme of the Bauhaus women is a topic close to my heart.
As far as the Bauhaus is concerned, Anni Albers, Gunta Stölzl and Marianne Brandt have been among the well-known personalities for quite some time, and there are new publications on Ise Gropius, for example.
While studying Bauhaus books and magazines I noticed works by Hilde Hubbuch, Rosa Berger, Hilde Horn or Lotte Burckhardt, but little or no information about these individuals is to be found.
Lou Scheper-Berkenkamp and the architect Wera Meyer-Waldeck are known only by small circles and deserve more attention.
To date, not much has been known about Yamawaki in German-speaking countries. But there is widespread interest in learning more about these women, who have remained relatively unknown thus far, and in honoring their work.
Your site is not only a list of links, but also a small online exhibition with short portraits and excerpts from original publications. Which themes did you want to emphasize when conceptualizing your website?
Presenting the diverse spectrum of the Bauhaus was a matter of concern to me, at the same time, the focal points are just as important for orientation purposes.
The Bauhaus was a school. Artists taught at the Bauhaus. There were many strong personalities at the Bauhaus and thus there were conflicts. The Bauhaus was arts and crafts, theory and practice.
Yana Morderger. Richel Hogenkamp. Miriam Bianca Bulgaru. Luisa Meyer Auf Der Heide. Joelle Steur. Carmen Schultheiss.
Sarah Nikocevic. W25 Altenkirchen. W15 Monastir. Lucia Llinares Domingo. Natalia Orlova. Ane Mintegi Del Olmo.